Why is my record so thick?
What makes heavy/thick vinyl better than thinner vinyl? It’s typically more prone to warping these days because of the current demand puts factories at capacity, which can result in inadequate cool down times for thicker records.
How thick are record albums?
Vinyl records are an average of . 6-. 7mm thick. This is the average thickness as some records may be .
How do you ensure records are accurate?
Principles of Good Record Keeping
- Be factual, consistent and accurate;
- Be updated as soon as possible after any recordable event;
- Provide current information on the care and condition of the patient;
- Be documented clearly in such a way that the text cannot be erased;
Why LPS are better than CDs?
Dust particles in the grooves of an LP cause crackles and ticks that are present and audible no matter how well you clean the record. CDs are not affected by surface noise, because they use light beams to read the musical data, which ignore any foreign substance on the disc.
What kind of records are 10 inch in size?
As it turned out, everyone wanted those extra grooves—by the mid-1950s, 10-inch records had been largely phased out, which is what makes them so collectible today. Some of the most prized, vintage 10-inch records from 1948 to 1956 are those cut by jazz artists on labels like Clef, Savoy, Prestige, and Blue Note.
What was the RPM of a 10 inch record?
Twelve-inch records were also… Back in 1910, when records were still made out shellac, 10-inch discs spun at 78 revolutions per minute (RPM). In 1948, when the 33 1/3 RPM vinyl LP was introduced, the 10-inch disc was still the industry standard. Twelve-inch records were also pressed, but they were saved for classical music.
Which is the best 10 inch vinyl record?
Some of the most prized, vintage 10-inch records from 1948 to 1956 are those cut by jazz artists on labels like Clef, Savoy, Prestige, and Blue Note.
Why do vinyl records have to be bigger?
At a certain point, records can become cramped with grooves and have to expand in size to accommodate the extra music play while maintaining the quality of the audio. The grooves are simply too narrow to fit all the detail of multiple sound recordings if this extra area is not accounted for.
As it turned out, everyone wanted those extra grooves—by the mid-1950s, 10-inch records had been largely phased out, which is what makes them so collectible today. Some of the most prized, vintage 10-inch records from 1948 to 1956 are those cut by jazz artists on labels like Clef, Savoy, Prestige, and Blue Note.
Some of the most prized, vintage 10-inch records from 1948 to 1956 are those cut by jazz artists on labels like Clef, Savoy, Prestige, and Blue Note.
What are some 10 inch Blue Note Records?
Other vintage Blue Note 10-inch records of note include Miles Davis’s “Young Man With a Horn,” Dizzy Gillespie’s “Horn Of Plenty,” and “Art Blakey, A Night At Birdland Volume 2.” The covers of some 10-inchers can be as interesting as the music inside.
Twelve-inch records were also… Back in 1910, when records were still made out shellac, 10-inch discs spun at 78 revolutions per minute (RPM). In 1948, when the 33 1/3 RPM vinyl LP was introduced, the 10-inch disc was still the industry standard. Twelve-inch records were also pressed, but they were saved for classical music.
