Who is Jean Honore Fragonard and what did he do?
Jean-Honore Fragonard is considered one of the true stars of the Rococo movement, a stylish full of flourishes and elaborate touches. His work appeared in the mid to late 18th century and he remains one of the most famous French artists of all time.
Is the love letter by Fragonard a portrait?
This painting should not be read as a portrait, but as a genre scene that takes up a key eighteenth-century theme, the love letter, in which the appreciation of the work is as much about how Fragonard paints as what he depicts. #2215. The Love Letter Due to rights restrictions, this image cannot be enlarged, viewed at full screen, or downloaded.
When did Jean Honore Fragonard paint Coresus and Callirhoe?
In 1765, he painted Coresus et Callirhoe, which not only secured his position at the Academy, but showed his talent for intimate, mildly erotic scenes, which were favored by wealthy patrons and members of Louis XV’s lascivious court.
When did Jean Honore Fragonard win the Prix de Rome?
Though not yet a pupil of the Academy, Fragonard gained the Prix de Rome in 1752 with a painting of Jeroboam Sacrificing to the Golden Calf, but before proceeding to Rome he continued to study for three years under Charles-André van Loo.
Where did Jean Honore Fragonard live as a child?
Jean-Honoré Fragonard was born into a family of artisans and merchants in Grasse; his father was a glove maker. The family moved to Paris in 1738, when Fragonard was six, but little else is known about the artist’s upbringing. He began to study art as a teenager after a failed apprenticeship to a notary.
How old was Jacques Fragonard when he started painting?
The family moved to Paris in 1738, when Fragonard was six, but little else is known about the artist’s upbringing. He began to study art as a teenager after a failed apprenticeship to a notary.
Why did Gabriel Francois doyen paint Jean Honore Fragonard?
As the lady swings forward, the young man gets a glimpse under her dress. According to Charles Collé ‘s memoirs a young nobleman had requested this portrait of his mistress seated on a swing. He asked first Gabriel François Doyen to make this painting of him and his mistress.
What did Jean Honore Fragonard’s brushwork indicate?
The vivid brushwork draws attention to Fragonard’s virtuosity, but it also suggests the mental transport experienced by the figure of the self-contained reader.
