Who are the artists of the Royal Vienna porcelain?
A large quantity of Royal Vienna portrait plaques or plates are hand painted copies of oil paintings by artists such as Joseph Karl Stieler and Angelo Asti. A study of these artists paintings would increase any Royal Vienna Porcelain collectors knowledge immensely.
When was the Vienna Shield Mark first used?
This began the ” State period ” when the Vienna shield mark (Bindenschild) the arms of the Austrian court, was introduced. From 1744 to 1749 the shield mark was applied in red or in blue underglaze, or incised. From 1749 to 1827 the mark was applied in a blue underglaze.
Where did the name Royal Vienna come from?
The name Royal Vienna or Vienna Porcelain also refers to a style of porcelain painting that became very popular during the late 19th and early 20th century. However, there was no single manufacturer called Royal Vienna at that time.
What was the Vienna before the mark period?
The 1718-1744 period is called the ‘Du Paquier period’, or ‘Vienna before the mark’. Up to 1730, they produced chinoiserie, following the Meissen trend. Some of the pieces were marked with a stylised chinese imperial mark.
A large quantity of Royal Vienna portrait plaques or plates are hand painted copies of oil paintings by artists such as Joseph Karl Stieler and Angelo Asti. A study of these artists paintings would increase any Royal Vienna Porcelain collectors knowledge immensely.
The name Royal Vienna or Vienna Porcelain also refers to a style of porcelain painting that became very popular during the late 19th and early 20th century. However, there was no single manufacturer called Royal Vienna at that time.
This began the ” State period ” when the Vienna shield mark (Bindenschild) the arms of the Austrian court, was introduced. From 1744 to 1749 the shield mark was applied in red or in blue underglaze, or incised. From 1749 to 1827 the mark was applied in a blue underglaze.
The 1718-1744 period is called the ‘Du Paquier period’, or ‘Vienna before the mark’. Up to 1730, they produced chinoiserie, following the Meissen trend. Some of the pieces were marked with a stylised chinese imperial mark.
