Which is the best book for calligraphy history?
BOOK RECOMMENDATION: A great resource to check on the timeline of each of the original scripts in this timeline from the book The Art of Calligraphy, a practical guide to the skills and techniques by David Harris. It also includes instructions on how to create each of those historic alphabets.
How is calligraphy a form of Fine Art?
Calligraphy is a fine art, like painting, sculpture, drawing or photography. It’s a way of seeing life and telling what you see. Through calligraphy, you can learn about proportion, positive and negative space, depth perception, and light.
When was the first intaglio copy book published?
This long-lived style was used as late as the 19th century by some German speakers in the United States and Canada. In 1538 Neudörffer published the first copybook to use an intaglio technique (i.e., printed from incised rather than raised areas of a plate). His Ein gute Ordnung…
What did Gianfrancesco Cresci write in 1572?
Cresci’s newly decorative minuscules and florid capitals were harbingers of the coming fashion in penmanship. Italic bastarda, from a letter by Gianfrancesco Cresci, 1572; in the Biblioteca Apostolica Vaticana, Vatican City (Lat. 6185, fol. 135 R).
BOOK RECOMMENDATION: A great resource to check on the timeline of each of the original scripts in this timeline from the book The Art of Calligraphy, a practical guide to the skills and techniques by David Harris. It also includes instructions on how to create each of those historic alphabets.
Calligraphy is a fine art, like painting, sculpture, drawing or photography. It’s a way of seeing life and telling what you see. Through calligraphy, you can learn about proportion, positive and negative space, depth perception, and light.
This long-lived style was used as late as the 19th century by some German speakers in the United States and Canada. In 1538 Neudörffer published the first copybook to use an intaglio technique (i.e., printed from incised rather than raised areas of a plate). His Ein gute Ordnung…
Cresci’s newly decorative minuscules and florid capitals were harbingers of the coming fashion in penmanship. Italic bastarda, from a letter by Gianfrancesco Cresci, 1572; in the Biblioteca Apostolica Vaticana, Vatican City (Lat. 6185, fol. 135 R).
