When did Utagawa Toyokuni stop making prints?
From 1803 through 1817, his work became more static, even as it became more popular. He continued to produce large quantities of prints, but the quality as a rule did not match that of his earlier days. Occasional prints from this period, however, show his old brilliance.
Who was the most famous woodblock artist in Japan?
Utagawa Kunisada (also known as Utagawa Toyokuni III, 1786 – 1865) was the most popular, the most productive and the most commercially successful designer of Japanese woodblock prints (ukiyo-e) in the 19 th century. His reputation outbid his contemporaries, Hokusai, Hiroshige and Kuniyoshi, by far.
Why was Kunisada known as Toyokuni the artist?
People called him “ Toyokuni -III- (Kunisada)”>Kunisada for the actor painting”. He also showed a talent in the beauty, creating the modern women with a hunchback and a bull neck reflecting the people’s taste in the times. His overwhelming number of pieces showed how much he was supported by the people.
Who are two major pupils of Utagawa Toyokuni?
Toyokuni’s two major pupils were the woodblock print masters Kunisada and Kuniyoshi, but he had a host of students in his school. Indeed, so powerful was the Utagawa school after Toyokuni’s time that almost every Japanese print artist of note either had one of these two characters in his gō, or, like Yoshitoshi, was a student of one who did.
From 1803 through 1817, his work became more static, even as it became more popular. He continued to produce large quantities of prints, but the quality as a rule did not match that of his earlier days. Occasional prints from this period, however, show his old brilliance.
Utagawa Kunisada (also known as Utagawa Toyokuni III, 1786 – 1865) was the most popular, the most productive and the most commercially successful designer of Japanese woodblock prints (ukiyo-e) in the 19 th century. His reputation outbid his contemporaries, Hokusai, Hiroshige and Kuniyoshi, by far.
People called him “ Toyokuni -III- (Kunisada)”>Kunisada for the actor painting”. He also showed a talent in the beauty, creating the modern women with a hunchback and a bull neck reflecting the people’s taste in the times. His overwhelming number of pieces showed how much he was supported by the people.
Toyokuni’s two major pupils were the woodblock print masters Kunisada and Kuniyoshi, but he had a host of students in his school. Indeed, so powerful was the Utagawa school after Toyokuni’s time that almost every Japanese print artist of note either had one of these two characters in his gō, or, like Yoshitoshi, was a student of one who did.
