How big is hope by George Frederick Watts?
Dimensions: 111.8 x 142.2 cm Hope is a Symbolist oil painting by the English painter George Frederic Watts, who completed the first two versions in 1886. Radically different from previous treatments of the subject, it shows a lone blindfolded female figure sitting on a globe, playing a lyre that has only…
How did George Frederic Watts paint blind Hope?
He painted blind Hope seated on a globe and playing on a lyre which has all its strings broken except one. She bends her head to listen to the faint music, but her efforts appear forlorn; the overall atmosphere is one of sadness and desolation rather than hope.
Where was the painting Hope by John Watts displayed?
Hope, only recently completed but already the most famous of Watts’s works, was placed at the centre of this display. It was then exhibited at the 1888 Melbourne Centennial Exhibition and the 1889 Exposition Universelle in Paris, before being moved to Munich for display at the Glaspalast . [56]
Why was George Frederic Watts obsessed with death?
George Frederic Watts was born in London in 1817, the son of a musical instrument manufacturer. His two brothers died in 1823 and his mother in 1826, giving Watts an obsession with death throughout his life. Meanwhile, his father’s strict evangelical Christianity led to both a deep knowledge of the Bible and a strong dislike of organised religion.
Dimensions: 111.8 x 142.2 cm Hope is a Symbolist oil painting by the English painter George Frederic Watts, who completed the first two versions in 1886. Radically different from previous treatments of the subject, it shows a lone blindfolded female figure sitting on a globe, playing a lyre that has only…
When did George Frederic Watts paint Hope at Tate?
The original is in a private collection; this version was painted as a replica and presented to Tate in 1897. Following the studio practice of the time, his assistant, Cecil Schott, probably began this work and Watts carried on, completing it fairly quickly.
Hope, only recently completed but already the most famous of Watts’s works, was placed at the centre of this display. It was then exhibited at the 1888 Melbourne Centennial Exhibition and the 1889 Exposition Universelle in Paris, before being moved to Munich for display at the Glaspalast . [56]
George Frederic Watts was born in London in 1817, the son of a musical instrument manufacturer. His two brothers died in 1823 and his mother in 1826, giving Watts an obsession with death throughout his life. Meanwhile, his father’s strict evangelical Christianity led to both a deep knowledge of the Bible and a strong dislike of organised religion.
